Spring Dances
It was a tri-polar night—but in a good way—last weekend, with a trio of high-energy, beautifully crafted works performed by the spectacular members of L.A. Dance Project.
Continue ReadingWorld-class review of ballet and dance.
Lassoing is a surprising through-line for a Martha Graham Dance Company performance. The theme steps generally tend towards the child-birthing variety: contractions and deep squats. America’s oldest troupe (the MGDC turns 100 in 2026, but they are already partying hard) has gotten in on the recent Black cowboy craze and I am here for it. On Saturday night at City Center, Lloyd Knight starred as a hunky square dance caller and Jamar Roberts set his electrifying new protest dance to the music of Rhiannon Giddens—who is fresh off her commercial success playing banjo on Beyoncé’s “Texas Hold’em” track. The first chapter in the Graham Company’s centennial celebration is titled “American Legacies,” and they put on a superb and refreshingly diverse Americana-inspired show. Although there wasn’t a dance by Graham on the triple bill, her spirit was very much present.
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It was a tri-polar night—but in a good way—last weekend, with a trio of high-energy, beautifully crafted works performed by the spectacular members of L.A. Dance Project.
Continue ReadingOn a mild spring night, the New York City Ballet held a similarly temperate Gala performance. The flower arrangements were lovely, the speeches were okay, the two premieres weren’t bad, and the Balanchine excerpt was sturdy. In almost every way, it was an enjoyable—if not overly momentous—night at the ballet.
Continue ReadingSan Francisco Ballet artistic director Tamara Rojo may have taken on more drama than she bargained for programming a star-studded “Swan Lake” encore for the finale of her first season here.
Continue ReadingThe Flamenco Festival has been bringing Spain's greatest flamenco artists to New York City Center for twenty years.
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