Spring Dances
It was a tri-polar night—but in a good way—last weekend, with a trio of high-energy, beautifully crafted works performed by the spectacular members of L.A. Dance Project.
PlusWorld-class review of ballet and dance.
In Deborah Jowitt’s new biography of Martha Graham, Errand into the Maze, the iconic dancer and choreographer is made new, and radical, again. This is no simple feat given how many artists and dance lovers worldwide have, at the very least, a passing familiarity with Graham’s immense presence, dramatic proclamations, and enduring choreography. The accomplishment is even more significant when considering the sheer volume that has been written by her and about her, including last year’s mammoth biography Martha Graham: When Dance Became Modern by Neil Baldwin. Where Baldwin leaned into the encyclopedic, Jowitt has pruned and curated. The result is a highly readable journey that brings you deep into Graham’s heart, aka “the Maze,” through an expert tour of her dances.
“Uncommonly intelligent, substantial coverage.”
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It was a tri-polar night—but in a good way—last weekend, with a trio of high-energy, beautifully crafted works performed by the spectacular members of L.A. Dance Project.
PlusOn a mild spring night, the New York City Ballet held a similarly temperate Gala performance. The flower arrangements were lovely, the speeches were okay, the two premieres weren’t bad, and the Balanchine excerpt was sturdy. In almost every way, it was an enjoyable—if not overly momentous—night at the ballet.
PlusSan Francisco Ballet artistic director Tamara Rojo may have taken on more drama than she bargained for programming a star-studded “Swan Lake” encore for the finale of her first season here.
PlusThe Flamenco Festival has been bringing Spain's greatest flamenco artists to New York City Center for twenty years.
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