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Godless in Illinoise
REVIEWS | Apollinaire Scherr

Godless in Illinoise

I went to see “Illinoise” on its last day at the Park Avenue Armory. The Justin Peck production was already set to move to Broadway, and Sufjan Stevens fans were already ecstatic: the singer-songwriter’s deeply felt, ingeniously conceived 2005 album Illinois is not only the impetus and origin of the Peck dancical but also its libretto and score, with a group of wondrous winged singers and multi-instrumental musicians scaffolded above the stage performing the album in its overwhelming entirety, though re-arranged a bit and shuffled. 

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A Parisian Dream
REVIEWS | Rachel Howard

A Parisian Dream

A participatory eagerness, a desire to be part of something sweet and beautiful, suffused the return of George Balanchine’s “A Midsummer Night’s Dream” to San Francisco Ballet on the cusp of spring.

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Sparks Flew
REVIEWS | Merilyn Jackson

Sparks Flew

Entering his 10th year as artistic director of Philadelphia Ballet, Ángel Corella put his artists through a ring of fire in their early spring concert at the Academy of Music.

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What the World Needs Now
REVIEWS | Cecilia Whalen

What the World Needs Now

Mark Morris's “The Look of Love” begins with praise. Dancers stand in a circle facing inward with clasped hands and chests lifted as Burt Bacharach's “What the World Needs Now” resonates in the theatre. 

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Precarious Movements
REVIEWS | Gracia Haby

Precarious Movements

If you believe, you can make yourself into Cerberus the three-headed dog-like monster, who guards the third circle of Hell, the circle of the gluttons, by buttoning together a couple of oversized shirts, and sitting together with two other people, in a huddle on the floor. 

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Down the Rabbit Hole
REVIEWS | Gracia Haby

Down the Rabbit Hole

It is a kaleidoscope of references, a whirligig of Alices, I carry with me to the third Melbourne season of Christopher Wheeldon’s “Alice’s Adventures in Wonderland,” presented by the Australian Ballet, at the State Theatre in Melbourne. 

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Reaching for the Poetic
REVIEWS | Karen Greenspan

Reaching for the Poetic

Nine hundred years ago in China, a renowned poet-artist named Su Dongpo (1037-1101) lived in Meishan, a city in Sichuan Province. He lived during the Song Dynasty, a prosperous period known for the proliferation of poetry and sophistication in visual arts underpinned by classical Chinese philosophy.

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Jazz Age
REVIEWS | Victoria Looseleaf

Jazz Age

Talk about your OG—or, in this case, Original Gatsby! Indeed, Los Angeles-based American Contemporary Ballet (ACB) has set the bar(re) oh-so-high, with its Original Gatsby concept/concert, “Jazz,” that even F. Scott Fitzgerald would have dug it.

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Renegades
REVIEWS | Karen Hildebrand

Renegades

Last week as certain ageist opinions were being aired in Washington, D.C., five performers in a tiny NYC East Village theater quietly made a case for the power of creative longevity. 

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Bunnymen
REVIEWS | Candice Thompson

Bunnymen

The first few minutes of Pontus Lidberg’s “On the Nature of Rabbits,” confounds the viewer with a series of inexplicable images in quick succession. 

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